Two years ago Alison Bechdel seemed to come out of nowhere with a graphic memoir, “Fun Home,” that knocked a lot of people, myself included, right over. You didn’t have to go quite as far as Time magazine, which called “Fun Home” the single best book of 2006, to recognize Ms. Bechdel’s achievement. Her memoir, about coming of age as a lesbian in her secret-filled family’s rural Pennsylvania funeral home, was moody, astringent, microscopically observed. “Fun Home” belongs on that same small, high shelf of comic books where “Maus” dwells.

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